Motion has been my medium for 18+ years. Award-winning work, a deep love of music, and an unhealthy obsession with football all feed into a creative instinct that's anything but static. When I'm not animating, I'm probably perfecting my latest home brew.
End frames, transitions, animation toolkits, motion guidelines, full brand motion systems. Built mainly in After Effects, with Cinema 4D and the Adobe suite alongside it.
Print production first, motion second. Harley and Jones Design at 19, then Turnbull Ripley in London, then The Glasshouse (now GHO) in Sydney. At Principals since 2007. Craft, composition, and systems: still the backbone of how I work.
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